Acoustic
phonetics Overview
“Acoustic phonetic sis the
study of sound waves made by the human vocal organs for communication”
(Ladefoged, 1993, p. 192).
“The branch of science dealing with the sounds of speech in
terms of their frequency, duration, intensity” (Dictionary.com).
This chapter will discuss a
small sampling of the results of applying technology to the study of speech.
Simple Sound Waves
Simple
sound wave talks about the movement of sound. One kind of movement which can
set off a sound wave is a vibration such as that produced by violin string. In
this kind of sound wave, a vibrating body of some sorts set the air molecules
surrounding it into vibration. We have two physical phenomena resulting from
this tendency for equidistance which make it possible for sound waves to move
through the atmosphere. These two phenomena are compression and rarefaction. In
compression, air molecules are crowded together more than they normally are. In
rarefaction, air molecules are spread further apart than they normally are.
Complex Sound Waves
Complex sound wave is the combination
of a number of simple waves in the same way. The sound wave which is produced
by the vocal cords is a complex wave. Complex wave is composed of a fundamental
wave which vibrates at the rate of the vocal cord vibrations, and which is the
first of a set of harmonic waves which are multiplies of the fundamental.
Some Speech Sounds
In this chapter, we will begin by
discussing some sonorant sounds of English (vowels and nasals). Then we will
briefly discuss the acoustic manifestation of some English obstruents (stops
and fricatives)
Vowels
In the production of vowels, the
vocal tract acts as a filter which enhances some vocal frequencies and damps
others. The vocal tract acts as a filter on the complex wave produced by the
vocal cords. For example, when the vocal tract is positioned for the vowel {i},
harmonics at about 300 Hz and 2300 Hz are enhanced, while harmonics at other
frequencies are damped.
The peaks in the filter function are
called formants and they differ depending on the quality of the vowel.
Nasals
In the
production of nasal consonants, the oral tract is closed as if producing a stop
consonants but the velum is lowered allowing air to escape out of the nose. In
acoustic terms then the nasal passage serves as the filter for the vocal
sources in addition to the oral tract. Consequently, nasal consonants all have
nasal formants which formants which reflect the resonating characteristics of
the nasal passage.
Stop
Most of the
important information for stop consonants in English is encoded either as formants
transition is vowels or as a delay in the onset of voicing of the vowels. For
the sake of simplicity, we will discuss only word initial stops although much
of what will be said also applies to stops in other positions.
The main acoustic cue for voicing in
English word initial stop consonants is called VOT. This stands for Voice Onset
Time. In producing the voiceless stop consonants, we delay in starting the
voicing of the vowel for about 50 milliseconds. In other words, we release the
closure and then hold the vocal cords open for five one-hundredths’ of a second
and then allow the vocal cords to start vibrating for the vowel. The measure of
this delay in the onset of voicing is called voice onset time. For voiced stops
in English, VOT value is very small, and voiced stops in some languages have
negative VOT values which mean that voicing starts before the stop is released.
While the vocal cords are being held apart in thr delay of voicing for
voiceless sounds air from the lungs rushes out.
Fricatives
Fricatives involve a
type of sound that we have not explicitly dealt with up to this point.
Basically, the difference between the noise used in vowels and the noise used
for fricatives is that the sound in vowels is periodic, (i.e., it involves the
repetition of a relatively stable wave form), while the sound in fricatives is
aperiodic (it involves random movement of air molecules).
The main differences between
fricatives (in acoustic terms) are relative frequency, thus {s} is higher
pitched that {s}, amplitude, so {s} is louder than {f}, and duration (e.g. in
English {s} is longer than {z}.
Conclusion
In this file, we have investigated the nature of simple and
complex sound waves. We then noticed that vowels and nasals can be described
acoustically as the result of combining the complex wave caused by the process
of voicing with the filtering action of the oral (or nasal) tract. We then
noticed that stop consonants are distinguished from each other by virtue of the
transition from consonant position to vowel position and by their relative
voice outset times. Finally, we discussed the aperiodic nature of the
fricatives consonants and some acoustic dimensions which keep the different
fricatives separate from each other.
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